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Category: Inspiration
Things that make us want to be better. Do better.
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Vivi Karia
PEOPLE:VIVI KARIA
If you haven’t gotten the chance to meet Vivi Karia, no need to worry as I have you covered. She is outright outstanding with her thoughts, vision, design and execution. Vivi Karia is pretty much the closest you will ever get to Rihanna in Nairobi. We discussed how she views fashion in Nairobi, her clothing brand and more.
1. Wild Intro
I’ll be 23 this year. Though hard to describe my skill, I majorly took interest in drawing stick figures when I was 8, but now I’ve moved on to doodling. My dad inspired me and I became more conscious about fashion and style when I turned 13, this is when I paid more attention to what people wore in music videos & teen shows.2. What has inspired your aesthetic as both a curator and designer?Street style inspires me because there are no rules on how to dress, there’s an openness and rawness where you can always play with whatever comes to mind so I like to combine it with high fashion.3. Do you view your brand as rebellious considering that it depicts a sensual aspect?Not really, maybe other people do, but I’m very open minded & like to talk about things that are not so polite, especially through images.Do you feel the need to be relatable?Yes, as a person outside the clothes that I make. I’m always worried that people don’t understand where I’m coming from. Because if you have that sexual vibe people don’t view it as art but box you & sexualize you like “She’d be so good to take to bed”.4. Does consumer reaction pressure you to release more products?No, I like pushing my products beyond boundaries in terms of reach & sales too and generally, I take my time when I release a product because I want to perfect it.And what is the downside of production?The fear that you’ll put all your money into an idea & have it not come out as you pictured it or poor reception from consumers.5. With the new wave of designers, have you considered being more intricate to define your brand?Yes & No. Yes because I like standing out & also the more intricate I am with my ideas the more it is for guys to copy.I know I’m unique and I don’t think anyone would share the same vision.What do you consider when choosing an individual to head a new campaign/collection?I look for intricate physiques, weird looking people & those that are comfortable with themselves.6.What are you currently working on?7. Does the term creative have any significance to you and why?No, I don’t appreciate the terms designer, creative, artist, as there’s a huge saturation in Nairobi. I like to do my thing & if you are feeling it then that’s great.8. What is your biggest disappointment in Nairobi fashion and what are you doing about it?First the hype! People wear Supreme t-shirts & ripped jeans & feel like they are entitled or that they are influencers. That’s not what street style is about! Second, it’s the oversaturation of the idea of blogging, if you combine these two, its just bad!It’s hard to do something impactful about it, partly because, we are still a young city when it comes to streetwear but I always try to stir such conversations when I’m with my friends.9. Thoughts on high fashion and streetwear collaborations.Best one so farThe Louis Vuitton X Supreme collection hands down! People expected a crazy collabo but these are the biggest brands in both high fashion & street wear & they did what they knew best, showcased simplicity in their vision.10. Wild Outro (advice)For the collaboration -
Amy Muhoro
Images courtesy of Amy Muhoro + Darina Anstis
PEOPLE :AMY MUHORO
On the first feature of our new section:People, I’d like to invite you to join me in an intimate conversation I had with Amy Muhoro, better known as Amyvisuals, a young self taught female Photographer based in East Africa. I met Amy back in 2014 and she has served as the biggest inspiration to me. Though elusive to taking images of herself, she quite often tells captivating visual narratives.
We discussed how she started off, a bit of her aesthetic, creative process and more.
1. Wild Intro
I am a 20 year old visual artist, born and bred in Kenya-Nairobi.I got interested in photography late 2013, which is when I first got onto Instagram and became fascinated by that particular art of taking photos after following a couple of cool local and international photographers.Progressively over the years, I wanted to challenge myself and do more and that’s how I now became interested in filming, cause it’s more or less the same thing as photography, only that it involves a lot more planning and concentration when executing. You can’t really throw a filter on it and expect things to turn out alright like in photos haha!2. Describe your aesthetic and what inspires it.(Laughs) So I’ve heard people say it’s ‘bold’ and full of deep and moody tones and colors, which I kinda agree with.But, from the beginning it was more about expressing my emotions; what I was feeling inside.I’d say it’s basically how I see the world through my eyes; Learning to notice and enjoy the beauty in everything and everyone.3. What drew you to shooting and can you remember the first photograph you took?Funny enough, I think the first photograph I ever took wasn’t of a person but of a flower in our backyard and I became fascinated by the capturing of essence of an object. And I just continued from there. Soon enough, I began shooting portraits of my family and friends. Most of the time the pictures failed miserably, I had no knowledge on composition or camera settings but I was determined to learn.4.How do you work out a concept for a project?I have a mood board for every image or video that you get to see. I get lots of different works from different artists, revise them, study their forms and composition all in a trial to come up with my own. I know they say there’s nothing new under the sun but I really try to ensure my work is as ‘authentically me as possible’.5. What do you think you translate through your images?Again, always emotion. How I’d like to see the world through my eyes.You need some sadness, some joy or some wonder? I’m your girl haha.6. Are there any other mediums you use to express yourself?I am an indoor musician, I like to relax on the piano, but only recreationally, I decided not to pursue a career in it. It’s more of my happy place, where I come back to reflect and refresh my thoughts.I also have a small collection of few collages that I make (if it even counts, haha). It’s just a new fun medium of expression that I’m trying out. I don’t want to pursue a career in that either.7. What have you learnt about yourself through your work?My art has saved my life multiple times, so it’s very personal for me.What I mean by this is that, by doing what I do, I’m able to grow myself positively; financially & especially mentally; I’ve had a lot of battles with anxiety in the past and working on visuals just gives me the peace and clarity I need.8. How has social media influenced your growth?Well yes, mildly.Apps like Instagram are how I even discovered my craft in the first place, and helped me connect with like minded people who I began collaborating and even became close friends with.For me, there are lots of positive thought growers on social media. From musicians like Solange who charms you with her weird inspiring aesthetics to Rihanna who just makes you not wanna give a f#%$ about what other people think of you. These people, they slowly start to have an effect on who you are, and encourage you to be bigger; Bigger than life, like they already are. And I think that’s really cool.But, I also frequently take time off social media as well, because I don’t wanna turn into one more of society’s zombies. I feel like there’s too much pressure to be who we’re not and that’s just against everything I stand for, so I don’t wanna get caught up in all that ‘societal expectations mambo jumbo.’Any Amyvisuals’ wannabe experiences?Lots of them.It’s cool to see that more youth want to get into visual arts scene and all. Yes, I’m happy that I inspire some of them, but I think there’s a line between discovering what you were meant to be and trying to be someone else. You’re not going to be your best authentic self if you are busy copying someone else. Have faith in yourself. A little faith can go a long way, and I am proof of that.9. How has the new wave of photographers helped you identify as ‘different’?Am I different? haha yeah I guess I probably am.I think it’s probably cause I see most people are doing the same thing, over and over. Like I said, there’s nothing new under the sun, but I would just like to express myself in MY own way as best I can.But at the end of the day, I’m happy that WE EXIST and I’m glad we’re breaking that stigma of how being a Kenyan artist isn’t a ‘real career’ and you have to get a ‘real job’ eventually by becoming a doctor, lawyer or whatever…you know the highly praised careers by parents. But no, that’s just people’s opinions.You can be anything you wanna be, you just have to want it bad enough.10. Wild OutroAlways be yourself.We hear a lot of successful people say this but I don’t think we pay much attention to it.Trust me, they are right.You will only excel in life by living out YOUR purpose. This can only happen by being yourself; by being the BEST version of yourself.Below are links to some of the videos Amy Muhoro has worked on, kindly have a look : -
24 Hours on the road: Reaching Kampala, the city built on 7 hills pt.1
Experiencing the grueling and oddly satisfying road trip from Mombasa to Kampala by road.
Naguro Hill in Kampala as seen from Kololo hill By Rahim Kara
I’m nervous, and excited, it’s going to be a long journey.
I am about to begin my journey in Mombasa, the port and second largest city of Kenya. It’s 9PM and i’ve just arrived at the bus station at Mwembe Tayari, the air is thick and humid as the short rains have just started to settle in. Even short walks from the office to the bus, a matter of 15 meters means that i’m going to start sweating. I begin thinking, what happens if there’s no air conditioning on the bus or the windows don’t open up? I take a deep breath and try to relax. No point in speculating.
Here goes.
The distance between Kampala and Mombasa is a whopping 1,145 Kilometers. That may not seem like much to some people, especially considering those who have access to good infrastructure and clear roads and can drive up to speeds of 120 – 160 Kilometers per hour without restriction. But we’re not talking about such a scenario. We’re talking about actually roughing it. My journey is by bus, a mode of local transportation that has a speed limit of 80Kph and aside from that, we’re contending with everyone on a single carriageway for 1,145 kilometers on a road that isn’t smooth all the way.
To really understand it, try imagining sitting in a kayak and waiting for the wind to push you from one end to another in a 25 meter long swimming pool.
It’s ten PM. We’re off.
A view of Mombasa along Jomo Kenyatta Avenue at Sunset Our driver has the most peculiar taste in music. He looks like a Swahili man ( The Swahili people are the original inhabitants of Mombasa [ as far as I know ] and still reside there ). Which confuses me considering his choice in music is East Asian Indian, a blend of music my ears are finely tuned to. I listen intently as his choice in music is quite certainly a collection of old tunes which seem to have been inclined to the artist called Mukesh. He begins singing along. The fascination of his melodious incantations is quite illuminating and obvious to anyone who can see me, I smile and even laugh joyously as he does so.
Since i’m sitting close to the driver, figured it’d make the long trek more bearable by engaging him in conversation. He is pleasant, tells me he’s been driving for over 20 years, Nairobi, Mombasa, Nakuru, Kisumu, in fact, almost all the way to Rwanda. He recalls when the roads were nothing but murram between Mombasa and Nairobi, ” the journey once took me 18 hours ” he said. He narrated how it was raining and the “road”, which he insisted I should take lightly, was like driving through a river of mud. It was so bad that the busses had to stop for up to 5 hours just to wait out the rain and hope that the mud solidified enough for them to move again.
He was a very animated character, getting loud whenever he was excited. I’m glad I got to converse with him.
The drive drones on and we make a pit stop at Mtito Andei after 4 and a half hours. This is the mid way point between Mombasa and Nairobi. After a fifteen minute pit stop, the drive continues.
It’s now close to 3AM, I slowly start droning off in to a deep sleep.
A View of Nairobi at Sunrise as seen from Uhuru Park I woke up to a motionless bus. We had arrived in Nairobi, this was the first leg of the journey that I had gotten so used to, travelling up and down to and from Nairobi. I stretched as much as my legspace and headroom allowed and then feeling silly, I realised I could stand up since we’re stationary. Unbuckling my seatbelt, I began standing up and greeted the driver and conductor as we waited for people to get on to the bus and start on to the second part of our journey.
It never ceases to amaze me how people in Nairobi are always up so early. It’s six forty five and the roads are already clogging up with both foot traffic and automobiles. Constant honking, yelling and movement. A form of organized chaos that simply astonishes me to date.
We’re going to be on the road for the next 6 hours with no stops. It’s going to be a long drive so we better be ready for the drive. An explanation from the conductor to me. I’m almost giddy though, there’s a sense of adventure and excitement I have that’s difficult to keep down.
A view of the Ngong Hills as seen from above The Rift Valley from the ViewPoint The Suswa Escarpment, a view from the Rift Valley viewpoint. A Panoramic View of the Rift Valley as seen from the Rift Valley Viewpoint on the Nakuru – Nairobi Highway